Mountain biking

September 1, 2009

This weekend I made plans to go on a mountain bike ride with a couple of friends. It wasn’t a photo shoot per se, but I wanted to see if I could make some interesting images on the go without slowing the group down too much. We had great plans to start early and with the morning fog I was hoping for some good, even light, but we ended up with a couple of mechanical issues on the bikes and by the time we got going, it was mid-day, the sun was blazing overhead, and our group was down to just two of us. Luckily my riding partner was my good friend Gustavo who not only is a tremendous athlete but also a gracious model. I was definitely concerned about how much camera weight I was going to be pulling up hills, but I brought my D700 with the 24-70 f2.8 and an SB-900. It was a fair bit of weight to carry on a ride but I was able to get a couple of interesting shots. There’s off-camera fill flash in all three of these shots – necessary on a bright sunny day to open up the shadows.

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Downhill run

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Riding the light

Flying portrait

Flying portrait

What do you love to shoot?

August 24, 2009

I spent the weekend camping with a big group of friends and got asked a lot about photography and what I like to shoot. Now, I love shooing a lot of different things, but the one that makes me happiest is portraits because for me, creating an image that expresses who someone is, or conveys a moment or captures an emotion is the greatest thing I can achieve as a photographer.

How does that work though? It happens on a couple of different levels. Becoming a better photographer has changed how I look at the world – and I mean that in both a literal and metaphorical sense. In the most literal ways: it’s seeing the light – not just is there enough of it or not, but what shape it has, its warmth, and where the shadows fall. It’s retraining the visual processing part of your brain, which has an elegant system to filter and prioritize incoming visual information into two big buckets – threats and targets (important stuff), and most everything else (less important), which is why it’s so easy to fail to see that lamppost in the background that in your photo is obviously sprouting out of someone’s head. It’s seeing patterns and textures and shapes and space, and assembling them into a composition that will be pleasing when isolated in a photograph.

But, I think as importantly, good portraiture requires developing an empathy for the people and things that you see and shoot. Sometimes you have a conversation to establish it, sometimes you have a fraction of a moment and have to trust your intuition, sometimes all the variables are controlled and you’re working with professionals who are used to being in front of the camera and it matters a lot less how people are feeling because everyone’s there to do a job. But even in the last case, if you don’t develop a rapport with the person you’re shooting, the images will suffer. And on the up side, when you do have it, it’s like a light shining through the image.

So back to the weekend – this weekend was just fun, I shot  a fair amount but all very casually – nothing posed. But the neat thing is that when you shoot with clear eyes and an open heart, even candid shots can be wonderful. Here’s Dave and his new daughter Nola, sharing a moment while waiting for the ferry.

Dave and Nola

Every week there’s a farmer’s market in my neighborhood, and last week I wandered up to see what kind of images I could make there. There are usually great colors and scenes at markets like this, and I got some typical shots of bins of vegetables, trays of berries, and the like, but the one I like best is this portrait I shot of Kristian, who works at one of the stalls. The available light was ok but not great, and the stall had a tan-colored canopy, so I stood a flash over in the corner on an ice chest pointed straight up to bounce off the inside of the canopy and give the light some punch and direction. It worked out very nicely, giving a nice shape to the light on Kristian’s face, with the ambient light from the open back of the stall acting as a hair light.

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As mentioned in my previous post, last Friday night I hiked up to Rampart Ridge (overlooking Rachel Lake, in the central Cascades) to shoot the sunrise. We hit the trailhead at 11:20pm and topped out on the ridge at 3:30am. A short 1 hour nap, then shot from about 4:45am until 8:30 or so and headed back down. It was a good sunrise, but not spectacular, but hey, that’s part of shooting landscapes – you don’t control the light. Total distance was 11 miles, with 3,000 feet of elevation gain. Despite the lack of sleep it was a very cool hike – definitely the worst part was the brutal mosquitoes in the morning – check of the shot of JP with his coffee – I can count  37 mosquitoes around him and I assure you, that’s just the ones that are visible and in the focal plane enough to see…

I’m pulling together gear for a sunrise shoot at Rampart Ridge in the Cascades. It’s going to be an overnight push – start the hike tonight at around midnight, probably about 4 hours hiking to get to the ridge, sunrise at 5:47 AM. It’s not an epic trek by any stretch, but it’ll be interesting to do it in the dark. We’ll shoot for a couple of hours and then head back down.

So what does the equipment look like when you’re going to haul ass up a mountain in the middle of the night?

  • Nikon D700
  • Nikkor 24-70 F2.8
  • Nikkor 70-200 F2.8
  • Speedlight SB-900
  • Manfrotto 3001BWN tripod with RRS BH-55 ballhead (ugh, heavy, need to get a lighter tripod for outings like this!)
  • Westcott 4-in-1 reflector kit
  • Headlamp
  • Lots of spare batteries and memory cards
  • Rain gear, warm gear, hat, gloves
  • Water, water filter, camp stove for morning coffee, food
  • Compass, sunglasses, sunscreen, insect repellent, map, basic first aid, iphone
  • Trekking poles.

Some of this might seem a bit overkill – but only if you’ve never been caught out without proper gear in the mountains.

Pics to follow…

Skateboarding action

July 17, 2009

Here’s the second set of skateboarding shots from Wednesday’s shoot. Special thanks go out to Aris Williams, owner of Liyght Skateboards and master instructor, who acted as my primary model for most of the day – Aris is the guy with the green hat and the LSB logo on his shirt and board.

Last Saturday the new skate park at Seattle Center opened, so I headed down yesterday to check out the action. I’ve never shot skateboarding before so I spent a fair bit of time watching to try to try to get the rhythm of the sport before I picked up my camera. I ended up with two very different sets of shots – one set of more straightforward sport shots trying to nail the action at its peak, which I will post separately, and this set where I wanted to capture the speed and intensity of skating so I dropped to to between 1/8 and 1/20 sec shutter speed and panned with the action to create some motion blur. Let me know what you think.

A few birds…

July 14, 2009

Yesterday I pulled together a quick selection of some of the best bird shots that I’ve taken in the last year. I’m not a birder by vocation, but I’ve had a couple of nice opportunities this year to make some good bird images, so here they are.

Eagle.jpg

Wren.jpg

Eagle-Buzzard.jpg

White-Tailed Eagle.jpg

Gray Jay.jpg

Brown Pelican.jpg

For those of us who are Canon shooters, this post pretty much nails our frustrations/wishes for Canon’s Speedlite flash system. Kudos to blogger and amazing photographer Syl Arena for this post.

http://pixsylated.com/2009/07/syl-arena-canon-speedlite-wishlist/

Teddy had it right…

July 7, 2009

“It is not the critic who counts, not the man who points out how the strong man stumbled, or where the doer of deeds could have done better. The credit belongs to the man who is actually in the arena; whose face is marred by the dust and sweat and blood; who strives valiantly; who errs and comes short again and again; who knows the great enthusiasms, the great devotions and spends himself in a worthy cause; who at the best, knows in the end the triumph of high achievement, and who, at worst, if he fails, at least fails while daring greatly; so that his place shall never be with those cold and timid souls who know neither victory or defeat.” – Theodore Roosevelt, 26th President of the United States.

Teddy had it right. Now go out and make some pictures.